The sculpture group by Fritz Cremer is made as a bas-relief at the Buchenwald memorial. The prisoners of the camp are shown at the time of the uprising. With the help of illegally obtained weapons, some prisoners freed themselves and prevented mass murder. The sculpture group is located in front of the Liberation Tower and together they mark the focal point of the entire memorial. The TM ‘Meißen’ logo is pressed on the back of the plaque leaving an impression of two swords being crossed. Right under the logo there is a ‘Böttgersteinzeug’ stamp (brown and red ceramic), a T letter symbolizing the year of 1958 and ‘238’, the serial number of the product. The plaque is put in a case covered with blue buckram on the outside and white velvet and silk on the inside.
Plaque with a bas-relief of the sculptural group Fritz Cremer in the Buchenwald memorial
GDR ,
14.05.1966
МЗСБ КП 9335/1
17,2 х 28,3 х 0,9 cm
biscuit, casting, roasting
A gift from veterans of the working and communist movement of the GDR to the Tsaritsyn - Stalingrad Museum of Defense, Meissen.
See also
Plaque with a portrait of Karl Marx.
FRG ,
October 1963
Plaque with a portrait of Karl Marx.
Present of the delegation of the Communist Party of Germany to the Tsaritsyn - Stalingrad Museum of Defense, October 1963, Rheinland-Pfalz land. A handmade portrait of Karl Marx by one of the members of the delegation; the portrait took more than 200 hours to make. The plate under the portrait reads: “Kommunistische Partei Deutschlands / Rheinland-Pfalz / 1963”
Notes and text of a Brazilian folk song “And the Danube escaped…”(O Danube azulou …)
Brazil ,
June 1953
Notes and text of a Brazilian folk song “And the Danube escaped…”(O Danube azulou …)
Notes and text of a Brazilian folk song "And the Danube escaped..."(O Danube azulou ...), performed during the war in connection with the victory at Stalingrad and the capture of Berlin. Recorded in a music notebook by a pianist Ionisie Katunda, who visited Stalingrad in June 1953. The notes and lyrics in a fake book (published in the USSR in 1952) were written by Eunice Katunda, a Brazilian pianist, who visited Stalingrad in June 1953. The inscription on the first page reads: “Marcha popular brasileira / Cantado durame a guerra por ocasiáo da vitoria de Stalingrado, alé a tomada de Berlim”
Cup with a lid. A gift to the youth of the Krasny Oktyabr factory from the youth of the Ustaltsa factory
Yugoslavia ,
1948
Cup with a lid. A gift to the youth of the Krasny Oktyabr factory from the youth of the Ustaltsa factory
Cup with a lid. A gift to the youth of the Krasny Oktyabr factory from the youth of the Ustaltsa factory, before 1948 Belgrade